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Learning to Listen: Alisa Weilerstein discusses the cello

Learning to Listen: Alisa Weilerstein talks cello
Cellist Alisa Weilerstein in concert
Cellist Alisa Weilerstein in concert
Gerardo Antonio Sanchez Torres

On today's Learning to Listen, Alisa Weilerstein talks about the evolution of the cello as a solo instrument, and how Antonin Dvořák, Pablo Casals, and Zoltán Kodály changed how the world perceived the cello.

Weilerstein's first two commercial recordings featured her as soloist with orchestras, playing concerti by Elgar, Dvořák and Carter.

For her new recording, she chose to play music for solo cello, including music by Hungarian composer Zoltán Kodály.

Kodály was a composer and an "ethnomusicologist" who was passionate about studying and archiving folk music of his native Hungary.

In 1915, he wrote his Sonata for Solo Cello. In it, he requires unusual techniques from the soloist, techniques he witnessed while watching villagers play.

Cellist Alisa Weilerstein
Cellist Alisa Weilerstein
Jamie Jung

Those techniques were new to the world, and Kodály's piece ended up influencing generations of composers writing for cello in the 20th century .

Hear Weilerstein talk about these techniques, and their influence, on this week's Learning to Listen on Classical MPR.

Program Playlist

Gaspar Cassadó
Suite for Cello, 2nd movement
Alisa Weilerstein, cello
London/Decca

David Popper
Once Upon More Beautiful Days
Janos Starker, cello
Shigeo Neriki, piano
Delos 3065

Zoltán Kodály
Sonata for Solo Cello, 1st movement
Alisa Weilerstein, cello
London/Decca

Antonin Dvořák
Cello Concerto, 3rd movement
Alisa Weilerstein, cello
Jiri Belohlavek, conductor
Czech Philharmonic Orchestra
London/Decca 19765

Bright Sheng
Seven Tunes Heard in China, "The Drunken Fisherman"
Alisa Weilerstein, cello
London/Decca

Gaspar Cassadó
Suite for Solo Cello, 3rd movement
Alisa Weilerstein, cello
London/Decca

Johann Sebastian Bach
Cello Suite #1, selections
Pablo Casals, cello
EMI 61028

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